I expect simple behaviours here. Friendship, and love. Any advice should be from the perspective of the person asking, not the person giving! We have had to make new membership moderated to combat the huge number of spammers who register
Location: Berkshire, UK
Registered: March 2005
Messages: 3281
As a former sound design student, I'm fascinated by this. It works (I think) by arranging a pair of microphones like human ears. You would never be able to create something like this entirely in post-production because of the hugely complicated mixing, effects and tiny time delays that would be required to get it to sound right.
You must listen through headphones -- you'll lose almost all the effect if you don't. (It just sounds like a bog-standard piece of sound design without.)
Location: Berkshire, UK
Registered: March 2005
Messages: 3281
Is this sort of thing boring to everyone else? Am I the only person here with headphones? Or is it just something not worth commenting on?
I wish I'd tried something like this as a final project at university. Not a 'virtual haircut', but perhaps a play recorded three dimensionally around a pair of microphones. Come to think of it, I still could. If only I had the time ...
Location: Worcester, England
Registered: January 2005
Messages: 1560
Not in the least boring, but my headphones fit the amp, not the pc, so it means burning a CD and taking it through to the other room to listen ... which I'm sure I'll get round to. But not tonight - I'm shattered after a 13-hour day at work (only my third day ... and I'm only supposed to do 3 x 7-hour days!).
"The ultimate weakness of violence is that it is a descending spiral, begetting the very thing it seeks to destroy. ... Returning violence for violence multiplies violence, adding deeper darkness to a night devoid of stars." Martin Luther King
Location: Berkshire, UK
Registered: March 2005
Messages: 3281
I found it much more interesting than 5.1 surround sound. Having spent the last year mixing the stuff it's very, very hard -- nay, impossible -- to create anything in post-production that sounds as realistic as that. Surround mixes almost always start out as mono or stereo recordings, duplicated to other speakers in varying amounts. It's not the same.
Dolby Surround is a theatrical medium, designed to be heard by lots of people at the same time, and therefore not at all personal or intimate, and rarely subjective.
If you listen to the way 5.1 is conventionally mixed, the vast majority of the sound comes from directly in front, just as it did when mono was the norm. Very unadventurous.